Happy talk (and a bit of singing)

Something I’ve been working on for a couple of months (longer, counting the times I had to stop and either go on to other projects, or go off and be ill) went live on The Stage website today.

Rodgers and Hammerstein in London is an audio documentary looking at how the famous musical theatre pairing’s shows have been received in London, using archive material from The Stage’s extensive archive of back issues. I was aiming for a half-hour, Radio 4-style arts programme: the finished product ended up as just over 38 minutes, but I didn’t want to edit it down any further.

The project had its genesis when the publisher of Helena Blackman’s Rodgers and Hammerstein album asked if I wanted to interview Helena about the CD, and possibly include some short clips of the musical tracks. While I didn’t mind the idea, it was a format we’d done before – and we’d also been talking about ways in which we could promote The Stage Archive, an amazing resource which stretches back as far as the paper’s first issue in 1880. So the idea moved away from a straight interview to an exploration of Rodgers and Hammerstein’s works, with Helena presenting.

Although The Sound of Music’s 1961 opening was the spur, the documentary reaches back to the late 1940s and the debut of the groundbreaking Oklahoma!, as well as coming (relatively) up to date with How Do You Solve a Problem Like Maria?, the reality casting show that gave Helena her first break.

It’s been good fun putting it together – I’ve been interviewing people from the Dean of Southwark Cathedral to Stephen Sondheim – but the main focus is the archive readings, which my friend, actor Adam Lilley, very generously did for me. We kept in the original idea of including extracts from Helena’s album, as it helps break up the long, talky bits with a bit of music.

It’s available now from The Stage website, as a free MP3 download or streamed direct from the web page. It’s also available in iTunes as part of The Stage Podcast series.

Published by

Scott Matthewman

Formerly Online Editor and Digital Project Manager for The Stage, creator of the award-winning The Gay Vote politics blog, now a full-time software developer specialising in Ruby, Objective-C and Swift, as well as a part-time critic for Musical Theatre Review, The Reviews Hub and others.