Spotted in the Blue Peter Doctor Who special, which originally aired before the series debut episode, Deep Breath.
I’m going to be doing the same again this series, but rather than on here, I’ve moved such posts to a new blog: TenThings.tv.
The site’s very much a work in progress at the moment, but the first post is ready:
So I’m a guest on this week’s As Yet Untitled London Theatre podcast, talking about new Doctor Who Peter Capaldi’s acting CV and how the approach he’s taken to his previous roles in theatre, film and TV may – may – give us clues about how he may approach his fortchoming role of the Doctor.
Some of the stuff I talk about is based on the interviews The Stage has done with Capaldi over the years, extracts from which I featured the other day.
So it turns out the bookies’ favourite was the correct one – Peter Capaldi is to be the next actor to play the lead in Doctor Who.
A quick scurry around The Stage archives finds several theatre and TV reviews, and three interviews. Two of these incorporate paragraphs which are interesting to contrast with each other.
First, from a 1990 interview with Jane Garner, connected to his role in BBC crime thriller Chain:
He enjoys comic roles as well as serious ones and has ambitions to do more film work.
“I am fascinated by that medium and I am not terribly attracted to Shakespearian roles or have any great ambition in that area. I like to do things that I am not really sure I can do and that stretches me – then I am working with something new.
“Chain was different for me because it was terribly serious and a lot of the time before, I had played a lot of rather comic roles which I love and I am comfortable in.”
And from 2007, as he prepared to appear in Absurdia, a trio of one-act comedies (two revivals by NF Simpson, and a new Michael Frayn farce) at the Donmar Warehouse, interviewed by Nick Smurthwaite:
“You do it for the challenge, the stretch,” he replies, “Generally in TV, you are employed to do what you are known for doing best. Here I’m doing things I’ve never done before, a lot of mime and movement. The Frayn play is about staging a farce in the middle of the desert, generated entirely in the imaginations of the two characters, with no props. I’ve never done mime before, so it remains to be seen if it works.”
You could, if you were being harsh, make comments about how once it was film and TV which stretched actors, and now theatre is more likely to give that challenge. But really, I see a man who’s only going to take on any role if it could push him in ways he’s never been pushed before. Given the self-confessed Doctor Who fan that he is, I can imagine that Capaldi is going to make damned sure that the BBC production team push him in his role as the Doctor.
More interesting is a quote from a 1995 interview, where the focus was more on his writing ambitions. On the back of winning the Academy Award for Best Short Film (for Franz Kafka’s It’s A Wonderful Life), he was working on a feature-length screenplay. But this quote is, considering yesterday’s news, intriguing:
Being in a series for any length of time doesn’t appeal to me and I’m always trying to avoid it. I suppose the two series of Chandler and Co. that I did was the longest I have been in a show, but I don’t like doing the same thing over and over again. I want a bit of variety.
In the eighteen years since, maybe he’s mellowed to the idea, especially for a role he’s loved since he was a boy. But Doctor Who is one of those roles where longevity and variety can go hand-in-hand.
Who would have believed, back in 2003 when the revival of Doctor Who was announced, that ten years on not only would the series still be ongoing, but news of the lead actor’s recasting would be presented in a live TV programme?
It’s been a few weeks since we departed the Cardiff rift. Apologies – pressures of work, and all that. But we continue a revisit of 2005’s Doctor Who series with the TARDIS’ return to the Powell Estate.
A quick reminder that my collection of Ten Things About Who posts for the 2012/13 series is now available for Kindle devices and Kindle e-reader apps for the bargain price of £1.99 – that’s 14p per episode discussion Thanks to everyone who’s bought it so far – if you have, please do leave a review or, at the very least, a star rating. And if you haven’t bought it yet, you can do so at mtthw.mn/whoebook.
1. A quick recap…
OK, so I said that The End of the World starts with what is, for Doctor Who, a rarely-used device: a “previously…”-style recap, that has “rarely been needed since”.
And then, two episodes later, that device gets used again. Still, I’m right – it tends not to be used much after this. To be honest, its usefulness in a series where the setting can change so drastically from episode to episode is debatable. But notice, even here, that it’s a recap of events solely from Rose. There’s no glimpse of Platform One or Victorian Cardiff at all.
Conceptually, it fits – this episode is a thematic sequel to the first episode, and deals directly witht he consequences of Rose’s impetuous run into the TARDIS at the end of that episode. For me, the recap here feels alien, if you’ll pardon the expression.
While what we now call “classic” Doctor Who used the old B-movie serial of replaying the previous week’s hangover to remind viewers of where they’ve got to, this “remember this from three weeks ago?” style of reminder has never sat well with Doctor Who. And it really isn’t used much after this. I promise.
Over on YouTube, user telegenicx creates atmospheric soundscapes by drastically slowing down existing music. Here, he takes Delia Derbyshire’s original 1963 arrangement of Ron Grainer’s Doctor Who theme and turns it into a haunting score, full of tremulous undertones.
Derbyshire created some beautiful pieces in a similar vein to this slowed down version of her most popular work. Telegenicx’s version puts me in mind of The Delian Mode and Blue Veils and Golden Sands, both of which ended up being reused in the 1970 story Inferno, which ended Jon Pertwee’s first season as the Doctor.
The lovely people at Big Finish have just released an updated cover to one of their November Doctor Who releases that celebrates the series’ 50th anniversary.
The Beginning is part of the company’s ongoing series of Companion Chronicles – semi-staged audiobooks, narrated by one of the series companions and with guest appearances by other actors. In this case, the companion concerned is the Doctor’s granddaughter Susan, played once again by Carole Ann Ford, in a story written by Marc Platt and directed by Lisa Bowerman. The new cover contains a subtle difference to the original artwork, to more closely tie in with events as seen in The Name of the Doctor. Here’s a direct comparison, by the power of GIF: Personally, I quite like the look of the original pyramid, but I can completely understand why it’s been changed. Now that we “know” what the Doctor’s TARDIS looked like as it was first taken, there’s no point in making it look like anything else…
According to SFX magazine, BBC Books (an imprint of Ebury Publishing, which is itself an imprint of what is now Penguin Random House) is to start a new range of Doctor Who ebook fiction. Time Trips will be a range of 10,000-word self-contained short-story-cum-novellas, seemingly featuring any of the series’ eleven (to date) Doctors, priced at £1.99 each. At a later date, the stories will be collected for a print edition.
The first tranche of authors include Jenny Colgan (who, writing as JT Colgan, has already written the DW novel Dark Horizons), AL Kennedy, Nick Harkaway and Trudi Canavan.
As with the 50th anniversary Puffin ebooks which are being published at the rate of one a month, it seems that Ebury are looking outside the “traditional” pool of authors which created the first print novels after the series returned in 2005. This can only be a good thing – the wider the range of authors, the more variation in the worlds and challenges that the Doctor will face. I do hope that some of the authors whose DW novels I have enjoyed in the past haven’t said goodbye to the range for good, though – this is all about expanding the DW universe, not jumping to a new version.
It’s also notable that three of the four authors so far announced for Time Trips are women – which kind of puts the TV series’ own track record in perspective.
Series like Time Trips are a sign that traditional publishers are finding new ways to make digital publishing work that don’t just ape the old print-based systems. Random House’s Dan Franklin was on the panel for a special edition of BBC Click for which I was in the audience in April 2012, and he really seemed to have his head screwed on. The involvement of the big guns doesn’t prevent the enterprising self-publishers from making a splash, too – if anything, providing mainstream quality products from traditional publishers helps ensure self-publishers work to the same standards, as well as providing the incentive for the growth in ebook reading to continue.
So the fourteen Ten Things About Who posts that I wrote about Doctor Who series 7, from Asylum of the Daleks to The Name of the Doctor, are now available to buy as an ebook on the Kindle platform. That means you will be able to read it not only on a Kindle hardware device, but also via the gamut of free Amazon Kindle apps for various computing platforms.
It’s my first ebook, so this is as much a learning curve for me, finding out what the platform can (and cannot) do for me as an author prior to using it for slightly less frivolous publications.
What’s in the book
Each chapter of the book contains ten points for discussion raised by an episode of Series 7. Why does the Doctor go on about needing milk for Oswin’s soufflés, when the obvious ingredient to ask about is…? Where on earth did Rory go to get coffee in New York city? Would there really have been a black priest in the American West town of Mercy? Why was The Rings of Akhaten so blooming dreary?
In taking the blog posts I was writing each week as the series aired, I’ve revised, and often expanded, many of the sections. To keep things simple, any included videos and audio files have had to be dropped, which is unfortunate – but thankfully they were mostly incidental to the points being made. What I’ve tried not to do is lose the immediacy of the posts. Some of the thoughts about who Clara is, or could be, for example, are way off-base now that we’ve all seen The Name of the Doctor – but to remove that speculation would have been to abandon the journey just because we know now the destination.
The original blog posts remain in place for free, and will do so for as long as the blog itself exists. I probably won’t go back and add in the expanded information from some of the sections, although some of the more glaring spelling mistakes that I somehow missed the first time round may find themselves getting corrected!
And of course, I’m now in the process of revisiting Series 1 in the same format. Next weekend, I’ll be up to Aliens of London. Depending on how my experience with this first ebook goes, I may well collect these retrospective Ten Things… posts in a similar format.
Do let me know what you think – as I said, this is a learning process for me, and opinions from people I trust is going to be invaluable. Thank you.
• Ten Things About Who is available to buy, or to borrow for free for Amazon Prime members