The Colored Museum – Talawa Theatre Company, Victoria and Albert Museum

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Back in March, the – home of the theatre and performance galleries which once housed part of their collection in the , Covent Garden – opened its doors on a Friday evening for a series of theatrically-based events. Some were more successful than others: a “cardboard representation of the ” turned out to be less the meticulous recreation of some of Theatreland’s most magnificent architecture, more a load of upturned cardboard cubes loosely arranged along walkways that claimed, and failed, to emulate the layout of W1 roads.

One of the definite highlights of that evening, though, was cramming into the museum’s Lydia and Manfred Gorvy Lecture Theatre to hear Timothy West and his son, Samuel, read from an original Shakespeare First Folio book. It was a presentation that clearly asserted the theatre and performance galleries’ determination to be an intrinsic part of the V&A – something that many people, myself included, worried may not happen when the Theatre Museum closed.

One thing that the V&A’s Covent Garden venue allowed but which the South Kensington museum has traditionally not is the possibility of regular live theatrical performances. So the fact that this week the same lecture theatre at the V&A is playing host to a production brings pleasure by sheer virtue of the booking alone. The fact that it’s an unmissable piece of theatre helps too.

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The Colored Museum – , Victoria and Albert Museum4Scott Matthewman2011-10-19 10:59:31 Back in March, the Victoria and Albert Museum – home of the theatre and performance gallerie…

iOS Newsstand gives Future an e-publishing boost

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The Association of Online Publishers reports that Future Publishing’s titles racked up over 2 millions Apple Newsstand downloads in the first four days of 5′s release.

Future launched more than 50 titles on Newsstand when it launched on Thursday 13 October, making it the most prolific publisher in the space. The mix of free, paid-for and premium products has attracted north of two million downloads, and represents consumer spending well in excess of normal monthly revenues.

Future UK CEO Mark Wood says: “Future had sold more in the past four days through ’s Newsstand than in a normal month. It’s clear that Newsstand creates an amazing opportunity for publishers – and I’m committed to continue driving our brands through this great new distribution channel.

“We plan to include more sampler issues in every magazine container in coming weeks, as well as uploading high price-point bookazines and premium one-shot titles.”

Newsstand’s presentation style certainly makes electronic editions of magazines feel much more integrated into iOS in ways that iBooks, which originated the “bookshelf”-style look and feel Newsstand uses, does not. And despite the gnashing of teeth regarding Apple’s commission level and the lack of personal information publishers can receive about subscribers, the revenue implications should be more than welcome.

Review: Pink Martini – Symphonique, Royal Albert Hall

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I’m not ashamed to say that I first found about the music of when a song of theirs was featured in a Citroën car advert. The song was Sympathique:

Je ne veux pas travailler
Je ne veux pas déjeuner
Je veux seulement oublier
Et puis, je fume

A rough translation in English: “I don’t wanna work, I don’t wanna eat, I just wanna forget. So I’m havin’ a fag.” Not exactly the typical backdrop to a car advert, but it was enough for more to seek out the band’s first album (also titled Sympathique) — and my love affair with Thomas Lauderdale’s band and China Forbes’s vocals had begun.

For those who don’t know Pink Martini, they are a twelve-piece jazz orchestra which appropriates songs and styles from all over the world. As I described to The Prompt blog back in June:

I suppose you might classify them as light jazz, but they absorb influences from around the world like musical magpies – you never know whether their next track is a Japanese folk song, a twisted take on the or inspired by a traditional Hebrew prayer. They’re constantly surprising and I can’t wait to see them live at the in October.

Well, October is here, and last night I got my first taste of Pink Martini live – in the Royal Albert Hall, backed by the Concert Orchestra.

And now I can’t wait to see them again.

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Review: Pink Martini – Symphonique, Royal Albert Hall5Scott Matthewman2011-10-18 12:51:15 Amazon.co.uk WidgetsI’m not ashamed to say that I first found about the music of Pink Martini when a song of theirs was featured in a Citroën c…

Soho Cinders in Concert, Queen’s Theatre

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Most new musicals take a while to see the light of day, maybe peeping over the parapet with workshops, or even a concept CD, long before they hit . Few, however, gestate quite as long as Soho Cinders, a musical from and (Honk!, Just So, the expanded stage version of Mary Poppins, Peter Pan, Betty Blue Eyes) which, as Mark Shenton notes today, has been in development for most of this century already.

And it’s a very 21st century piece – a modern day Cinderella story, with rent boy Robbie using the wages from his escort services to fund his law studies, in order to prove that his wicked stepsisters have illegally taken over his late mother’s coffee shop. The ball becomes a fund-raising bash for a good-looking mayoral candidate whom Robbie has been seeing on the side, although he’s there to escort the wealthy businessman who’s bankrolling the mayoral bid. And when he’s exposed as a rent boy and runs off, it’s not a shoe he leaves behind, but a mobile phone…

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Soho Cinders in Concert, Queen’s Theatre5Scott Matthewman2011-10-10 10:14:16Most new musicals take a while to see the light of day, maybe peeping over the parapet with workshops, or even a concept CD, long before they hit the …

Steve Jobs: “Death is Life’s best invention”

, founder of and , in his Stanford University commencement address in June 2005:

No one wants to die. Even people who want to go to heaven don’t want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life’s change agent. It clears out the old to make way for the new. Right now the new is you, but someday not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it is quite true.

Your time is limited, so don’t waste it living someone else’s life. Don’t be trapped by dogma — which is living with the results of other people’s thinking. Don’t let the noise of others’ opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.

The Office Party, Product Solutions HQ (nr Pleasance Theatre, Islington)

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People who have been following this blog (or clicking on random links on Twitter and/or Facebook) probably know that I’m Online Editor for , that I work in the digital team, and have a project management role as well as my editorial and critical one.

Except I’m not. I actually work in marketing for a company called Product Solutions. And last night was our annual office . As these type of events tend to be, it was a lot of fun, with a few surprises, some bad behaviour from people who’d had a little too much to drink, and old rivalries between the company’s divisions rose to the surface once more.

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The Office Party, Product Solutions HQ (nr Theatre, )4Scott Matthewman2011-10-05 21:59:58People who have been following this blog (or clicking on random links on Twitter and/or Facebook) probably know that I’m Online Editor for The Stage, …

Him & Her – series 2 preview

I enjoyed the first series of 3 , written by Stefan Golaszewski and starring and as a couple of young slackers who are adjusting to living together.

A second series is on its way, and the BBC3 website has released a short preview video.

You can also hear my interview (recorded prior to series 1′s transmission) with stars Russell Tovey and Sarah Solemani via website.