Review: Anatomy of a Murder, Audit House, London

Courtroom dramas can be tricky things to accomplish on stage. In order to keep the audience’s interest, the case concerned must be serious enough, the defendant’s guilt or innocence must be hard to determine – and yet, if we do not feel sympathy for them despite their possible guilt, how are we as an audience ever going to engage with their plight?

Anatomy of a Murder, Elihu Winer’s play based on Robert Traver’s 1958 novel, piques the interest by starting from the premise that there is no doubt that the defendant, army Lieutenant Frederic Manion (George McFadyen) killed Barney Quill, the proprietor of the local inn.But Quill, we are told, had raped Manion’s wife that night. Immediately, our loyalties and a sense of natural justice start muddying the waters – and further murkiness is added as Manion and his fresh-faced lawyer Paul Biegler (Benedict Hastings) work out that Manion’s only defence against a charge of murder will be a plea of insanity.

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