I’ve just finished reading the script of Helen Goldwyn’s Pulling Faces. This play, about a TV presenter in her mid-fifties facing up to pressure to go under the knife, has previously been recorded as a full-cast audio play in Big Finish’s Drama Showcase range starring Louise Jameson, which I reviewed upon its release.
But the piece had genesis as a one-woman play, performed by Jameson, who also edits this edition – and who recently excelled in Gutted at the Theatre Royal Stratford East. And what a sight that must have been: seeing the words in black and white make you realise how little had to change for the audio version, and yet also how much must have been lost. I’ve never seen Jameson perform this piece on stage, but you can’t help but admire the tenacity. Several scenes feature fast-paced back-and-forth dialogue that is hard to get right with two actors onstage, let alone one playing both sides of the conversation.
At some point in the future, I’m sure I’ll see a new stage production of this play, whose themes will I’m sure remain sadly relevant for far too long. Where that’s a full cast piece, a one-woman performance or maybe even as a hybrid, with a central performance as Joanne assisted by a couple of supporting actors playing the other roles. However it gets back on stage, it’ll be exposure for a cracking short play. Until then, reading it is a great substitute. Even better, at the moment it only costs 99p for the Kindle ebook version…
Regular readers of my blog will recall that I’ve been reviewing Big Finish’s Drama Showcase series of audio dramas, released at roughly monthly intervals. The fourth and final release in the current series, after an unforeseen delay, has just been released – and, in my opinion, Unintelligent Design is the best of the lot. Listen to the trailer, which explains absolutely nothing:
Unintelligent Design: Listen to the Trailer (MP3)
A full review follows – but first, links to my earlier reviews of the Drama Showcase series:
- Not a Well Woman
- Pulling Faces
- In Conversation with an Acid Bath Murderer
Continue reading “Big Finish Drama Showcase: Unintelligent Design”
As regular readers of this blog (both of you) may know, I’ve been regularly reviewing Big Finish Productions’ series of audio plays being released under the Drama Showcase marque:
The third in the series, In Conversation with an Acid Bath Murderer by Nigel Fairs, arrived on my desk this morning (if I’d been more attentive, I would have noticed that the MP3 download had been available for a few days. Oops).
I haven’t finished listening to it yet, so a full review won’t be forthcoming until some point over the next few days. But my eye was caught by a quote on the publicity material, and the back of the CD case:
“Darkly played… Nasty, creepy and disturbing” — The Stage
Wow, I thought. That sounds amazing. And in an effort to find out more, I turned to The Stage Archive. After a bit of searching, I found the full review from which the words above had been taken, which referred to a 1999 theatrical version of Fairs’ play.
However, while the words above did appear in Douglas McPherson’s review, they’re not exactly indicative of the tone of the piece.
Continue reading “How to murder a press review”