And while (as early betas can be) it is slow and crashes more often than it should – the changes in iOS 7 are only apparent when using it on an actual device. Watching a slick video doesn’t give you the full impression.
NB: There are swathes of non-disclosure agreements surrounding early access to iOS 7. This article is based purely on hands-on access to the features publicly disclosed by Apple, and experience of previous iOS upgrades.
Since I last linked to my Arts 2.0 column for The Stage, I’ve written three new pieces. First off, the launch of the BBC iPlayer Radio app just three days after the combined BBC/commercial radio RadioPlayer app led me to look at both, as well as some of the other options for audio listening. I have to say that while I’ve used both those apps since, it’s the iPlayer app that I enjoy using the most. Once you’ve started listening, of course, you tend to leave the app – but the act of selecting which audio stream to listen to should be quick, and not feel like a chore. I think the Radioplayer has some way to go on that side of things, while iPlayer Radio is closer to nailing it.
Then last week, I looked at three magic trick apps for the iPhone. I remain to be convinced that custom apps can be effective sources of conjuring – close-up magic with real life objects is far more effective than working with pixels on a screen. John Archer’s Streets app works along the right lines because it uses the maps feature within the phone itself – or at least it did, until Apple dropped Google Maps for its own service with iOS 6.
Finally, this week the news about Radio 4 releasing the Letter From America archives got me thinking about all those dramas the station has commissioned over the years, but remain locked away due to contractual or other reasons. Recent radio productions of West End hits then led me to talk about archiving contemporary performances.
An appeal for help
I’ve got a few ideas for future columns, but if you have an arts-working-with-technology story you’ld like to pitch, please email me at scott [at] thestage.co.uk.
One thing I’d like to do for next week, to tie in with the start of NaNoWriMo, is look at digital tools that writers – of books, plays, or scripts for TV, film and radio – use. An initial appeal on Twitter brought up several references to Scrivener, which combines templates for several writing projects with the ability to store research notes. I’m not just looking for scriptwriting software, though – do you use anything to incentivise you to write a certain amount each day? Other applications (from Evernote to Pocket) to collate research materials? Anything digital to remove distractions and allow you to focus?
Whether it’s PC, Mac, iOS or based on another platform – or a piece of hardware gadgetry you can’t do without – I’d like to know about it. Use the comments box below or email me at the address above!
Future launched more than 50 titles on Newsstand when it launched on Thursday 13 October, making it the most prolific publisher in the space. The mix of free, paid-for and premium products has attracted north of two million downloads, and represents consumer spending well in excess of normal monthly revenues.
Future UK CEO Mark Wood says: “Future had sold more digital editions in the past four days through Apple’s Newsstand than in a normal month. It’s clear that Newsstand creates an amazing opportunity for publishers – and I’m committed to continue driving our brands through this great new distribution channel.
“We plan to include more sampler issues in every magazine container in coming weeks, as well as uploading high price-point bookazines and premium one-shot titles.”
Newsstand’s presentation style certainly makes electronic editions of magazines feel much more integrated into iOS in ways that iBooks, which originated the “bookshelf”-style look and feel Newsstand uses, does not. And despite the gnashing of teeth regarding Apple’s commission level and the lack of personal information publishers can receive about subscribers, the revenue implications should be more than welcome.
Something that’s been annoying me over the last few weeks is that a couple of movies I had rented from the iTunes Store were not deleting from my iPad’s storage space. They were not showing up within the iPad’s ‘Sync Movies’ panel in iTunes, which is where you can transfer films from computer to iPad or vice versa. They were still showing up within the iPad’s Videos app, though. Attempting to play them produced an error, as you’d expect – but attempting to delete them via the usual method (hold down for a few seconds then tap the black cross, as works for apps) caused the Videos app to crash with the movies still there.
When it comes to iPhone apps, one thing the world definitely does not need more of is Twitter clients. There are so many out there it’s unreal. And as a heavy Twitter user, I’ve tried most, if not all, of them at some point.
I was a loyal user of the paid-for app Tweetie 2 by Atebits, and when Twitter bought it and converted it into a free application, I continued to use it. It seemed to strike the right balance for me of allowing some access to more sophisticated functions, while keeping them unobtrusive when you didn’t need them.
One of the ways it achieved this was by hiding advanced features – picture uploads, autocompletion of @ usernames and #hashtags, location marking, etc. – behind the keyboard. If you clicked the button that displayed the number of characters remaining, the iPhone keyboard would slide down, revealing the additional options.
I suspect that some of these functions were so well hidden that some users didn’t realise they were there at all. Which is why, I’m guessing, that with the latest update, to Twitter for iPhone 3.3, the key ones are now visible as you compose your tweet (compare with this screenshot from GigaOM’s review of Tweetie 2):
Also previously hidden, the ‘shrink URLs’ option is now an automatic function, with Twitter using its t.co shortening service on the fly. When tweets are displayed, the t.co link is replaced by an abbreviated version of the destination URL, making it easier to spot where people would like to send you should you click on their links.
All this is great. They are gradual refinements that shows that great iPhone design eschews gimmicks in favour of straightforward, simple and practical application.
If only the rest of the app followed the same rules. I’m going to set aside the repeated crashing I had with version 3.3.0 – when it comes to apps that repeatedly crash on startup, I’ve been there, done that, and feel the developers’ pain – and concentrate on some of my bugbears.