Imagine if your television developed a weird fault. Whatever channel you tuned to next would be the only one it would ever receive again. Which one would you choose?
I’d find the temptation to stick with one of the more mainstream channels, such as BBC1 or ITV1, hard to resist. I might try and select a channel with a bit of culture in it – BBC2 would serve well in that regard (and would satisfy my QI cravings) or BBC4 (ditto, Only Connect).
But honestly, I think the channel with the widest range of enjoyable programmes at the moment is CBBC, the Corporation’s channel for children. It regularly produces output that is lively, engaging, challenging and fun.
A case in point is a series which finished this week. Wolfblood is a new take on the werewolf genre created by Debbie Moon. Young Maddy is a 14-year-old girl from a reclusive family ‘pack’ of wolfbloods (the series rejects the term ‘werewolf’). Her parents lock themselves away every full moon rather than risk roaming in the woods – partly to ensure the safety of the locals, but mostly to ensure that their family secret is not discovered.
In contrast, Maddy (Aimee Kelly) – who at the start of the series is not quite old enough to experience her ‘time of the month’ – is constantly tempted to share the burden of her secret with her friends, especially when the new foster kid at school, Rhydian (Bobby Lockwood), also turns out to be a wolfblood. And when he discovers that he has a family who live wild rather than Maddy’s domesticated parents, further conflicts arise.
Every drama thrives on friction, and there is plenty here. Intrinsic to the school setting are the usual kids-versus-teachers, geeks-versus-fashionistas setups. But the best conflicts for us as viewers are those that build up between friends and family. Maddy’s best friend Shannon (Louisa Connolly-Burnham) has been convinced for years that there are werewolves on the local moors. Maddy’s need to keep her family secret while also wanting Shannon to know that her theories are correct forms one of the biggest drivers to the whole series. And the more serious side to Shannon’s obsession isn’t shied away from – in one episode, she reveals that her parents are sending her to counselling because of her determined belief in supernatural beasts. In a couple of lines, we see that the series has at its heart a heroine who, by keeping a secret she knows she must not divulge, is risking her best friend’s mental health.
Wolfblood finished its first 13-part series on Monday, and CBBC celebrated by repeating the first 12 episodes back-to-back in the run up to the final episode’s premiere. It’s still on iPlayer for the next couple of days: download it now and savour it at leisure. There are a couple of dodgy moments (I recommend watching the being-a-wolfblood-makes-you-an-awesome-streetdancer episode through your fingers), but a second series has received a well-deserved commission.