Arts 2.0: a catchup and an appeal

Since I last linked to my Arts 2.0 column for The Stage, I’ve written three new pieces. First off, the launch of the BBC iPlayer Radio app just three days after the combined BBC/commercial radio RadioPlayer app led me to look at both, as well as some of the other options for audio listening. I have to say that while I’ve used both those apps since, it’s the iPlayer app that I enjoy using the most. Once you’ve started listening, of course, you tend to leave the app – but the act of selecting which audio stream to listen to should be quick, and not feel like a chore. I think the Radioplayer has some way to go on that side of things, while iPlayer Radio is closer to nailing it.

Then last week, I looked at three magic trick apps for the iPhone. I remain to be convinced that custom apps can be effective sources of conjuring – close-up magic with real life objects is far more effective than working with pixels on a screen. John Archer’s Streets app works along the right lines because it uses the maps feature within the phone itself – or at least it did, until Apple dropped Google Maps for its own service with iOS 6.

Finally, this week the news about Radio 4 releasing the Letter From America archives got me thinking about all those dramas the station has commissioned over the years, but remain locked away due to contractual or other reasons. Recent radio productions of West End hits then led me to talk about archiving contemporary performances.

An appeal for help

I’ve got a few ideas for future columns, but if you have an arts-working-with-technology story you’ld like to pitch, please email me at scott [at] thestage.co.uk.

One thing I’d like to do for next week, to tie in with the start of NaNoWriMo, is look at digital tools that writers – of books, plays, or scripts for TV, film and radio – use. An initial appeal on Twitter brought up several references to Scrivener, which combines templates for several writing projects with the ability to store research notes. I’m not just looking for scriptwriting software, though – do you use anything to incentivise you to write a certain amount each day? Other applications (from Evernote to Pocket) to collate research materials? Anything digital to remove distractions and allow you to focus?

Whether it’s PC, Mac, iOS or based on another platform – or a piece of hardware gadgetry you can’t do without – I’d like to know about it. Use the comments box below or email me at the address above!

Edinburgh Fringe 2011: Chris Cox – Fatal Distraction, Pleasance Dome

Editor’s Rating
Rating

How to explain Chris Cox to someone who’s never seen his act? Probably the best way to sum him up is to say that he’s a mentalist in the Derren Brown mould – ever insistent that he’s not using magic or psychic powers, but various methods of suggestion, body language and the like. For those who find Brown a bit full of himself, a little pompous maybe, Chris Cox’s endearingly self-effacing style should be a breath of fresh air.

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Edinburgh Fringe 2011: Chris Cox – Fatal Distraction, Pleasance Dome4Scott Matthewman2011-08-29 14:46:51How to explain Chris Cox to someone who’s never seen his act? Probably the best way to sum him up is to say that he’s a mentalist in the Derren Brown …