Much Ado About Nothing

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Yesterday, I finally got to see Joss Whedon’s film adaptation of Much Ado About Nothing. Shot in twelve days in black and white in and around Whedon’s California home, most of the cast have worked with Whedon on previous projects, and that’s clearly helped achieve the sort of directorial clarity that other films can’t always manage. 

Much Ado About Nothing [DVD] [2012] (DVD)


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Including some silent flashbacks of Beatrice and Benedick’s previous liaison is a luxury stage productions can’t have, but here it helps establish the cause of their antagonistic relationship in a nutshell. She fell for his charms once, and her antipathy towards him is as much regret for her own part in that one-night stand.

Amy Acker’s Beatrice is wonderful: strong, compassionate, fragile, quick, strong, headstrong. I said in my preview blog post that I’ve never been particularly enamoured with Alexis Denisof, and for the most part that opinion hasn’t changed: however, his farcical acrobatics as he overhears Leonato, Claudio and Don Pedro talk about how Beatrice is in love with him are hilariously accomplished. His weakest scenes are those where he must monologue his way through his internal thought processes. On stage, Benedick can use the audience as confidantes: no such luck on film – although at one point he addresses an imagined audience within Whedon’s garden amphitheatre, and that just about works.

Clark Gregg’s Leonato is a warm, genial figure – and not a little camp, which is no bad thing – while Reed Diamond’s Don Pedro and Sean Maher as his bastard brother, Don John, provide solid, ever watchable interpretations of those stock characters.

As the secondary couple, Jillian Morgese is little more than a cipher in the thankless role of Hero, far eclipsed by Fran Kranz’s Claudio. As the smitten young man who allows Don John’s lies to lead him to believe his fiancée has been unfaithful to him, Kranz is astonishing. He’s been a supporting actor in several Whedon projects up to now, but I really hope that this role is enough to get casting directors considering him for the romantic lead in future projects. 

Much Ado About Nothing [Blu-ray] (Blu-ray)


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There is an undoubted highlight in the casting, though – Nathan Fillion as the buffoonish constable Dogberry. Fans of Doctor Horrible’s Singalong Blog know that, as Captain Hammer, Fillion can play heroically stupid like nobody else. That’s a path he not only treads again here, but trips down with abandon. He steals every scene he’s in, although Tom Lenk as his assistant Verges is a hilarious accomplice in that regard.

The music is also wonderful, composed by Whedon, produced by his brother Jed and featuring the vocal talents of Jed’s wife Maurissa Tancharoen. In terms of adapting the song Sigh No More, they do a great song that fits in with the mood of the party scenes. (I still prefer Michael Bruce’s Eighties-themed interpretation, though.)

Much Ado About nothing is still on release – for details, see the official websiteThe film is available to pre-order on DVD and Blu-Ray for release in October. The original score is available now.

Much Ado About Nothing5Scott Matthewman2013-06-23 14:17:44Yesterday, I finally got to see Joss Whedon’s film adaptation of Much Ado About Nothing. Shot in twelve days in black and white in and around Whedon’s…

Coming soon: Joss Whedon’s Much Ado About Nothing

If there’s one film I’m looking forward to this June – and that ignores both Behind the Candelabra and Man of Steel – it’s Joss Whedon’s take on Shakespeare’s comedy Much Ado About Nothing.

Filmed over a couple of weeks as the director took a break between production and post-production of Avengers Assemble, it was shot in and around Whedon’s home, and stars actors who have featured in several of his previous projects (for a selection of interviews with them, see this Buzzfeed article).

I’ve never been quite as enamoured with Alexis Denisof (Benedick) as Whedon seems to be, but Amy Acker’s Beatrice should be good fun. And the thought of Nathan Fillion as Dogberry…

For more details about the film, including the cinemas it’s booked to play in, visit the official site at muchadofilm.co.uk. It opens on June 14.

Much Ado about cast recordings

Whenever a new musical comes to the West End, there’s always a bit of a buzz about a possible cast recording. Different productions take wildly different views: Love Never Dies put its cast recording on sale so far in advance that it was more of a concept album than a record of the eventual stage production, in any of its reworked forms. Legally Blonde the Musical waited until there was obvious demand for a West End version in addition to the original Broadway recording, while Stiles and Drewe’s magnificent music for Betty Blue Eyes may eventually be available next month (although a sampler CD was issued with the Evening Standard newspaper as part of the show’s initial publicity drive). And while Ghost the Musical, which holds its press night tomorrow, hasn’t officially released its cast recording yet, it’s currently available to listen in a streamed form on the show’s Facebook page.

What’s unusual, though, is for a straight play to release a cast recording. But the production of Much Ado About Nothing currently playing at Wyndham’s has done just that.

Continue reading “Much Ado about cast recordings”