Reviewed: Saucy Jack and the Space Vixens

Over on Musical Theatre Review, I’ve reviewed Saucy Jack and the Space Vixens, currently playing at the Leicester Square Theatre Studio.

This is no murder mystery, no ‘The Mirrorball Crack’d’ – the killer couldn’t be more obvious if he were twirling a moustache. And this is a show so unsubtle that it’s almost a surprise that he doesn’t.

The characters are almost uniformly one-dimensional, drawn in crude, glitter-speckled strokes, a comic strip writ large. But all the actors know exactly what it is, ensure their performances are as broad as the characters are shallow, and encourage the audience to buy into just how ridiculous – and fun – the show can be.

Musical Theatre Review: Saucy Jack and the Space Vixens

Reviewed: The Color Purple, Menier Chocolate Factory

For Musical Theatre Review, my review of the Menier Chocolate Factory’s production of The Color Purple:

Alice Walker’s classic novel, adapted first into an acclaimed film and then a musical, makes its London debut in the latter form with an assured production that showcases some of our finest musical theatre talent – while also producing an incredibly moving and emotional tale of abuse and survival, and of rejection of the idea that subjugation of anyone can be tolerated.

Read the full review.

A trio of musical theatre reviews: Barbershopera, Nunsense A-Men, and Bullets and Daffodils

I’ve been remiss about linking out to my reviews elsewhere recently. Here are three that I’ve written recently for Musical Theatre Review.

Bullets and Daffodils

Tristan Bates Theatre, July 1-6

The poetry of Wilfred Owen, born as it was from anger at the cruelty of war, is full of powerful imagery and intense emotion. Sadly, neither are on display in Dean Johnson’s tribute to Owen…

Nunsense A-men!

Landor Theatre, until July 28

The show gives the best moments, the best numbers and the best lines to the Broadway-obsessed Sister Mary Robert, and Alastair Knights takes full advantage. Stealing ensemble scenes with gay abandon, it is his solo numbers – and his wimple-based impressions – which will remain in the memory.

Barbershopera! – The Three Musketeers

St James’s Theatre Studio, July 13 – touring until October 26

Alexandre Dumas’ novel has formed the basis of several musical interpretations before… None has dared attempt to stage it as a cross-dressing, four-person a cappella production, though – and after this riotous evening, one can only feel the other productions are missing a trick.

 

Payback – the Musical

Above are some production shots from Payback – the Musical, which is currently playing at the Riverside Studios in Hammersmith. Press night was last Friday, and my review is available on the Musical Theatre Review website.

Review: The Great Gatsby, Riverside Studios

Another review for Musical Theatre Review, this time for Ruby in the Dust’s The Great Gatsby at Hammersmith’s Riverside Studios.

A fringe musical of F Scott Fitzgerald’s classic novel The Great Gatsby could never compete on scale or budget with Baz Luhrmann’s $100 million-plus Hollywood adaptation. But nor should it attempt to – and Ruby in the Dust’s production wisely shuns trying. Instead, the limitations inherent within Fringe theatre become its greatest strength, focusing on the crumbling foundations on which the façades of hedonistic 1920s opulence are constructed.

Review: Geek! A New Musical, Tristan Bates Theatre

My first review for Lisa Martland’s new publication, Musical Theatre Review. It’s an extended version of the 200-word version I wrote for The Stage.

It’s an interesting experience, writing essentially the same content to two very different word lengths…