After my review of the first London edition of cabaret night If It Only Even Runs a Minute, I did wonder how the hosts Oliver Southgate and Lydia Grant would take my comments. Not everyone whose show was described as a “shambolic mess”, and whose delivery was described as “amusingly under-rehearsed”, would necessarily be happy about the reviewer in question.
As it turns out, they were fine with it. So fine that I was invited back by them for Monday’s second edition.
At its core, it hadn’t changed. There’s a fine line between being informally relaxed and being disorganised – a line which If It Only Even Runs‘s hosts display a tendency to use as a skipping rope.
Personally, I find their presentation style charming, especially because the calibre of Monday’s guest performers were so high. I was being comped, though: I do wonder whether, if I’d paid for the tickets out of my own pocket, whether I’d find it quite so endearing.
But to concentrate on that side of the evening is unfair – as I said last time, the quality of the performances (and, in particular, the guest performers) is the real focus of the evening. And in their second London show, the calibre of the guests shot up several notches.
Continue reading “If It Only Even Runs a Minute 2, Landor Theatre”
If It Only Even Runs a Minute 2, Landor TheatreScott Matthewman2012-07-12 00:11:19After my review of the first London edition of cabaret night If It Only Even Runs a Minute, I did wonder how the hosts Oliver Southgate and Lydia Gran…
Most new musicals take a while to see the light of day, maybe peeping over the parapet with workshops, or even a concept CD, long before they hit the stage. Few, however, gestate quite as long as Soho Cinders, a musical from George Stiles and Anthony Drewe (Honk!, Just So, the expanded stage version of Mary Poppins, Peter Pan, Betty Blue Eyes) which, as Mark Shenton notes today, has been in development for most of this century already.
And it’s a very 21st century piece – a modern day Cinderella story, with rent boy Robbie using the wages from his escort services to fund his law studies, in order to prove that his wicked stepsisters have illegally taken over his late mother’s coffee shop. The ball becomes a fund-raising bash for a good-looking mayoral candidate whom Robbie has been seeing on the side, although he’s there to escort the wealthy businessman who’s bankrolling the mayoral bid. And when he’s exposed as a rent boy and runs off, it’s not a shoe he leaves behind, but a mobile phone…
Continue reading “Soho Cinders in Concert, Queen’s Theatre”
Soho Cinders in Concert, Queen’s TheatreScott Matthewman2011-10-10 10:14:16Most new musicals take a while to see the light of day, maybe peeping over the parapet with workshops, or even a concept CD, long before they hit the …
The LOST Theatre in Stockwell is currently playing host to a new production of Honk!, a family musical based on Hans Christian Andersen’s tale of the Ugly Duckling, written by George Stiles and Anthony Drewe, who wrote the songs for West End musical Betty Blue Eyes, which closed last weekend.
Eighteen years after it first hatched at the Watermill theatre as The Ugly Duckling, it’s readily apparent why Stiles and Drewe so easily slotted into the Disney style of musical with their extra songs for Mary Poppins: Honk! is a prototype Disney animation as if it were played out on stage rather than storyboarded. With a bit of polish, one could easily see the story on the silver screen as a classic, line-drawn animation with songs that infect the head as well as progressing the story. And it’s easily better than The Princess and the Frog, the House of Mouse’s recent attempt to revive the genre.
Continue reading “Honk!, LOST Theatre”
Honk!, LOST TheatreScott Matthewman2011-09-30 12:18:09The LOST Theatre in Stockwell is currently playing host to a new production of Honk!, a family musical based on Hans Christian Andersen’s tale of the …