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Theatre

Andrew Lloyd Webber’s latest West End show, Love Never Dies, receives its formal press night tonight, which means that the papers tomorrow will be full of reviews. Over at my place of work we’ll have a special podcast in which I talk about the show with Matt, our reviewer, as well as looking at the overall critical reaction. To catch it, subscribe in iTunes at http://bit.ly/stagepodcast and you’ll get it as soon as it’s available.

I saw the very first preview — breaking set automation and all — as the guest of a friend. At the time, I wasn’t particularly impressed and tweeted as much, in rather scatalogical terms that amused my friends - which is what it was meant to do. Unfortunately, that single tweet was done via a phone whose battery has been totally erratic over the last few weeks, and no sooner had I sent that than everything went dead and I had no chance to elaborate further on the night. However, the following morning I did discuss with my friends what my misgivings were, all the while conscious that, as a preview, there was scope to tweak some aspects of the production and fix others.

Unbeknownst to me, that tweet was being dissected on the message boards of another theatrical website — and as such, by people who were deprived of the context of my Twitter stream. It’s important to remember, I think, that individual posts on Twitter aren’t discrete, but part of a larger, longer, multi-threaded conversation that frequently heads off and continues on other websites or (gasp) the real world.

As it is, my overall impression of Love Never Dies is somewhat more diverse than a single tweet probably suggests. The Daily Mail, however, rang me earlier today to check that I had actually written the aforementioned tweet, so it may be mentioned in the national press tomorrow morning. Frankly, there are more influential and worthier people whose opinions matter more than mine, so quite what the Mail is doing sniffing around my Twitter stream I’m not too sure. Whatever they say, though, tomorrow’s podcast should demonstrate that my actual opinions are more well-rounded and thorough than a single, post-preview, tweet that gets repeated out of context would suggest.

UPDATE: The aforementioned podcast is now online as a streaming MP3 as well as available as an ‘enhanced’ podcast via the iTunes Podcast Directory. I’ve also - a little warily - reopened my Twitter feed.

Closing my Twitter feed didn’t stop the Daily Mail misrepresenting my eight-word tweet as a ‘review’, nor did it stop one rather over-hopeful individual attempt to start a campaign to have me sacked (wasn’t going to happen, but you’ve got to his admire his chutzpah). It did, however, help ensure that today, I was able to communicate with my usual Twitter friends in my usual Twitter style without worrying what tabloid hacks may misrepresent as ‘news’.

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Lord Arthur’s Bed, King’s Head

March 5, 2010

There are moments during this short play by Martin Lewton that seem to border on genius, only to be followed by several more moments of utter bewilderment.

Spencer Charles Noll and Ruaraidh Murray play gay couple Donald and Jim, who celebrate the first anniversary of their civil partnership by re-enacting tales of two Victorian cross-dressers and […]

Six days, five shows, some dancers and a requiem

February 12, 2010

After Monday’s attendance at Richmond Theatre for Lord Arthur Savile’s Crime, this has turned into a theatre-packed week.

On Tuesday, I went to the Soho Theatre to review gay theatre legend Bette Bourne being ‘interviewed’ by Mark Ravenhill. The inverted commas are because, although the evening was based on transcripts of interview conversations between the pair […]

A Life in Three Acts

February 10, 2010

Now aged 70, gay actor Bette Bourne, gloriously bedecked in what he terms his “Golders Green drag”, delivers an inspirational evening as he recounts stories from his life in response to gentle prodding from Mark Ravenhill.

A condensed version of last year’s scripted conversations, originally spread over three nights, the structure does tend to hamstring Bourne’s […]

Lord Arthur Savile’s Crime, Richmond Theatre

February 9, 2010
Thumbnail image for Lord Arthur Savile’s Crime, Richmond Theatre

Under Richmond’s magnificent, Matcham-designed proscenium nestles another, more gaudy one. This has the air of a Victorian children’s toy theatre, with its simplified, painted-on swags and crudely-drawn ornamentations.

The effect is amplified once the small theatre’s curtain rises, revealing sets constructed from painted flats and characters ripped straight from the Big Boys’ Book of Wildean Archetypes. […]

Scouts in Bondage

November 18, 2009

Every sketch show has scenarios which, while amusing in moderate amounts, outstay their welcome. Imagine such a sketch stretched out to the best part of two hours and you have Scouts in Bondage.

Glenn Chandler’s comedy, a sequel to last year’s Boys of the Empire, sees a troop of 1930s Boy Scouts crash land in Afghanistan […]

Busted Jesus Comix

November 5, 2009

Reviewed for The Stage

Above the Stag, London November 3-28 Author: David Johnston Director: Prav Menon-Johansson Producer: Above the Stag Cast: Henry Blake, Erin Hunter, Caitlin Birley, Peter Halpin, James Morrison-Corley, Michael James-Cox, Rege Page Running time: 1hr

Based on the real life trial and conviction of an underground comic book writer, David Johnston’s pitch-black comedy acts as an indictment of censorship, while […]

Quick theatre round-up

October 28, 2009

I know I haven’t been blogging here much lately: these things tend to come in fits and spurts, so I may do some more posts for a bit. That said, it’s coming up to my annual attempt to participate in NaNoWriMo so I may go quiet on the blogging front again.

Anyway, over the last few […]

Jerusalem at the Royal Court

July 23, 2009

On Tuesday, I went along to the Royal Court to accompany the lovely Anna to see Jerusalem by Jez Butterworth.

I was going to write up a review here, but there seems little point, as Anna’s sums it up so brilliantly:

Byron, then, would be a gift to any actor, but few could inhabit him […]

What’s Wrong With Angry?

July 17, 2009

When does a drama that’s written about contemporary issues stop being about now, and start to be nostalgic? And once it’s nostalgic, how long until we become so detached that it becomes a historical piece that can talk to us about how we live today?

The answers to both questions are, of course, somewhat fluid, but […]

New page: theatre reviews

July 5, 2009

If you visit this blog, rather than just read the RSS feed, you’ll see a new link at the very top of the page to a list of all the theatre reviews I’ve so far written for The Stage.

West End Live 2009

June 23, 2009

On Saturday, I went to Leicester Square to see some of the onstage performances put together by Westminster City Countil as part of the annual West End Live event.

Due to engineering works on train lines, and the long queueing time to get into the Leicester Square stage area, I missed performances by the cast of […]

2008’s panto reviews

December 22, 2008

Only three to do this year (four if you count an additional Christmas-themed show). And now they’re all done and available online, so the holiday starts here!

09/12/08: Snow White and the Seven Dwarfs, Elgiva, Chesham 17/12/08: Cinderella, Civic Centre Aylesbury 22/12/08: Aladdin,Watersmeet, Rickmansworth

And the additional Christmas show:

19/12/08: Christmas with the Rat Pack - Live from Las Vegas

An overview of reviews

December 1, 2008

I’m about to enter full-on panto reviewing mode again, although given my out-of-town location and lack of driving ability the number of productions I get allocated is far fewer than some of our more hardy reviewers.

Before I do, I wanted to make sure that my own record of what I’ve reviewed for The Stage is […]

Screeny Todd

November 14, 2008

Last night I took Paul along to see Sweeney Todd at the Union Theatre, which I was reviewing. As someone whose musical theatre experience is much larger than mine, it came as something of a shock that this was to be Paul’s first Sweeney.

As it was, it was only half of his first Sweeney — […]

All about All About My Mother

September 5, 2007

So last night I was at the press night for All About My Mother, the Old Vic’s new adaptation of Pedro Almodovar’s classic film. My review’s online now, and will be in print in next week’s issue of The Stage. In the meantime, the condensed version:

Oh. Dear. God.

It got three stars in the […]

Gates of Gold

November 24, 2006

Reviewed for The Stage

Trafalgar Studios 2, London Author: Frank McGuinness Director: Gavin McAlinden Producer: Charm Offensive Cast: William Gaunt, Paul Freeman, Michelle Fairley, Josie Kidd, Ben Lambert Running time: 1hr 25mins (no interval)

It is somehow appropriate that in presenting a fictionalised version of Irish theatrical couple Hilton Edwards and Michael MacLiammoir, Frank McGuinness presents us with a troupe of characters […]

Beautiful Thing

August 3, 2006

This review first appeared in the August 3, 2006 issue of The Stage

July 19-September 9 Author: Jonathan Harvey Director: Tony Frow Producer: NML Productions Cast: Jonathan Bailey, Gavin Brocker, Steven Meo, Carli Norris, Michelle Terry Running time: 1hr 40mins

Jonathan Harvey’s urban gay fairytale remains his best and funniest theatrical work to date and is further enhanced by this confident production.

As […]

Black and White Sextet

February 7, 2006

Reviewed for The Stage

Rosemary Branch, London January 31-February 26 Author: William Shakespeare, adapted by Robert Pennant-Jones, who also directs Producer: Rosemary Branch Cast: Ben Onwukwe, Richard Earthy, Fliss Walton, Matt Reeves, Jason Eddy, Cleo Sylvestre Running time: 2hrs

There is no reason why director Robert Pennant-Jones’ audacious filleting of ‘Othello;, reducing Shakespeare’s classic to two hours and a cast of six […]

When Harry Met Sally, Theatre Royal Haymarket

March 7, 2004

Can Alyson Hannigan fake an orgasm? That’s the unvocalised question that many visitors to When Harry Met Sally, now playing at the Theatre Royal, Haymarket, will have in the back of their minds before the curtain rises on the stage adaptation of the Rob Reiner comedy. The answer is that she can — but the […]