As someone who commutes every day, I become aware of the diverse range of people who use London Underground. With every opening and closing of the tube doors, the ethnic, socio-economic and dramatic mix of my fellow travellers can change in an instant.
As such, the Tube is the perfect setting for The End of the Line, a series of short playlets from young writing collective Knocked for Six which has just finished a three night run.
Piled into The Workshop, a club space in the basement of the Roadtrip Bar in Old Street, we were arranged on benches either side of a thin promenade space. Any fears that the arrangement meant there was not enough space for the actors were appeased when it became clear that the front benches were also the stage, with the central seats being occupied by a succession of interesting characters.
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