Andrew Lloyd Webber’s latest West End show, Love Never Dies, receives its formal press night tonight, which means that the papers tomorrow will be full of reviews. Over at my place of work we’ll have a special podcast in which I talk about the show with Matt, our reviewer, as well as looking at the overall critical reaction. To catch it, subscribe in iTunes at http://bit.ly/stagepodcast and you’ll get it as soon as it’s available.

I saw the very first preview — breaking set automation and all — as the guest of a friend. At the time, I wasn’t particularly impressed and tweeted as much, in rather scatalogical terms that amused my friends - which is what it was meant to do. Unfortunately, that single tweet was done via a phone whose battery has been totally erratic over the last few weeks, and no sooner had I sent that than everything went dead and I had no chance to elaborate further on the night. However, the following morning I did discuss with my friends what my misgivings were, all the while conscious that, as a preview, there was scope to tweak some aspects of the production and fix others.

Unbeknownst to me, that tweet was being dissected on the message boards of another theatrical website — and as such, by people who were deprived of the context of my Twitter stream. It’s important to remember, I think, that individual posts on Twitter aren’t discrete, but part of a larger, longer, multi-threaded conversation that frequently heads off and continues on other websites or (gasp) the real world.

As it is, my overall impression of Love Never Dies is somewhat more diverse than a single tweet probably suggests. The Daily Mail, however, rang me earlier today to check that I had actually written the aforementioned tweet, so it may be mentioned in the national press tomorrow morning. Frankly, there are more influential and worthier people whose opinions matter more than mine, so quite what the Mail is doing sniffing around my Twitter stream I’m not too sure. Whatever they say, though, tomorrow’s podcast should demonstrate that my actual opinions are more well-rounded and thorough than a single, post-preview, tweet that gets repeated out of context would suggest.

UPDATE: The aforementioned podcast is now online as a streaming MP3 as well as available as an ‘enhanced’ podcast via the iTunes Podcast Directory. I’ve also - a little warily - reopened my Twitter feed.

Closing my Twitter feed didn’t stop the Daily Mail misrepresenting my eight-word tweet as a ‘review’, nor did it stop one rather over-hopeful individual attempt to start a campaign to have me sacked (wasn’t going to happen, but you’ve got to his admire his chutzpah). It did, however, help ensure that today, I was able to communicate with my usual Twitter friends in my usual Twitter style without worrying what tabloid hacks may misrepresent as ‘news’.

{ 2 comments }

Lord Arthur’s Bed, King’s Head

March 5, 2010

There are moments during this short play by Martin Lewton that seem to border on genius, only to be followed by several more moments of utter bewilderment.

Spencer Charles Noll and Ruaraidh Murray play gay couple Donald and Jim, who celebrate the first anniversary of their civil partnership by re-enacting tales of two Victorian cross-dressers and […]

Maurice, Above the Stag

March 4, 2010

The last thing gay theatre needs, one might suppose, is another story about a young man struggling with his attraction to men before settling into life fully reconciled with his homosexuality. But EM Forster’s 1914 novel, shocking even when first published in 1971, still has something to say about the importance of loyalty to oneself […]

Sherlock Holmes

February 15, 2010

When choosing a film to watch at the local cinema yesterday, there was no way I was going to go and see Valentine’s Day on my own (maybe later, but not on the inappropriately-abbreviated V.D. itself). I’d heard so many dire things about The Wolfman that I’m in no great hurry to put myself through […]

Ghosts, Duchess Theatre

February 14, 2010

I’m not particularly familiar with Ibsen’s stage plays, so my Saturday matinee visit to Ghosts, currently in preview at the Duchess Theatre, was without more than a cursory knowledge of the storyline. And there’s no way I can comment on the billing of this being a “version by Frank McGuinness”, first workshopped at the Young […]

Six days, five shows, some dancers and a requiem

February 12, 2010

After Monday’s attendance at Richmond Theatre for Lord Arthur Savile’s Crime, this has turned into a theatre-packed week.

On Tuesday, I went to the Soho Theatre to review gay theatre legend Bette Bourne being ‘interviewed’ by Mark Ravenhill. The inverted commas are because, although the evening was based on transcripts of interview conversations between the pair […]

Jerusalem, Apollo Theatre

February 11, 2010

Johnny ‘Rooster’ Byron is a master storyteller, charismatic and funny. We are as much in his thrall as some of the local villagers, although they are more there for the drugs he deals than the tales he weaves of giants and babies born dressed, speaking and walking.

As the local council makes efforts to evict him […]

A Life in Three Acts

February 10, 2010

Now aged 70, gay actor Bette Bourne, gloriously bedecked in what he terms his “Golders Green drag”, delivers an inspirational evening as he recounts stories from his life in response to gentle prodding from Mark Ravenhill.

A condensed version of last year’s scripted conversations, originally spread over three nights, the structure does tend to hamstring Bourne’s […]

Lord Arthur Savile’s Crime, Richmond Theatre

February 9, 2010
Thumbnail image for Lord Arthur Savile’s Crime, Richmond Theatre

Under Richmond’s magnificent, Matcham-designed proscenium nestles another, more gaudy one. This has the air of a Victorian children’s toy theatre, with its simplified, painted-on swags and crudely-drawn ornamentations.

The effect is amplified once the small theatre’s curtain rises, revealing sets constructed from painted flats and characters ripped straight from the Big Boys’ Book of Wildean Archetypes. […]

Speaking of Scott Alan…

February 1, 2010

…as I was in my review of Sunday’s concert, I ought to point out his two CDs are available to buy.

If you haven’t heard his works before, the glories of Amazon.co.uk’s MP3 service means that you can hear preview tracks below (edit: doesn’t seem to work on Google Chrome for Mac - see below for […]